NIGHTMARE IN BADHAM COUNTY 1976

Harrowing 1970's TV Woman-In- Prison 
with Deborah Raffin & Lynn Moody !!

                    

                     "The Terror Begins When Two Girls Find Themselves Alone In A Women's Prison!"

"Where Innocence is a Punishable Crime!"

    During the 70's/80's heyday of made-for-TV-movies, the networks would often jump on whatever popular bandwagon there was available to jump on while also keeping one-eye trained toward the exploitation/drive-in market all the while seeing how far they push the envelope related to broadcast standards and practices.
    Directed by the great John Llewellyn Moxey (THE NIGHT STALKER and CITY OF THE DEAD) 1976's NIGHTMARE IN BADHAM COUNTY (retitled NIGHTMARE for its theatrical version) remains one of prime time televisions sleazier entries in the small screen genre even giving the drive-ins a run for the money in the sordidness factor. Premiering Fri. Nov. 5, 1976, on ABC, it was shot on location in Greenwood, MS which lends itself to a humid sweaty atmosphere that's a rare departure from the usual dry arid So Cal settings of TV movies. Just like at the drive-ins, the woman-in-prison genre was a popular one on TV with the infamous BORN INNOCENT with Linda Blair in1974 and Susan Dey locked in a CAGE WITHOUT A KEY from 1975, both of which along with this film would make for one hell of a triple feature. CHARLIE'S ANGELS even get in on the action with the 1976 episode "Angels In Chains".
    Two UCLA students Cathy (Deborah Raffin GOLD TOLD ME TO) and Diane (Lynn Moody SCREAM BLACULA SCREAM) are on summer break and looking to "see America" on the way to Cathy's home in Philadelphia they take an iffy route through the deep south (Hey - what can go wrong here?!?). They end up on the road trip detoured through hell (ala' MACON COUNTY LINE) and after a flat tire on a rural country road, they run afoul of local psychotic Sheriff Danen (Chuck Connors THE MAD BOMBER) who promptly throws them in jail. Things escalate as we get a conspiracy theory seemingly involving everybody in town including car mechanics and that we learn later heads right up to the governor's office. Although it's never specifically stated where the story takes place (Badham is a fictional county), it's never in doubt that we're in the deep humid south.

    After a quick trial presided over by a crooked judge (Ralph Bellamy THE WOLFMAN) the pair are convicted of trespassing & prostitution sentenced to thirty days at a local work farm where Supt. Dancer (Robert Reed THE BRADY BUNCH) oversees things with help from prison guards Greer (an almost unrecognizable sans-makeup Tina Louise from GILLIGAN'S ISLAND) and Dulcie (Fionna Flanagan famous for her James Joyce stage adaptations). Among the other inmates are Sarah (Della Reese PSYCHIC KILLER) and Smitty (Lana Wood from DIAMONDS ARE FOREVER as Plenty O'Toole ). Reese's Sarah is the sympathetic friend to Diane as she fills the newcomer in on the bleak conditions inside the prison and the constant degradation that's forced upon the inmates. Cathy on the other hand has the sexual overtures of a guard forced upon her and the girls segregated by race which makes it impossible for them to communicate in addition to being totally cut off from the outside world.
     One of the more sordid & sleazier network offerings of the '70s with a really grungy & sweaty atmosphere (especially in regards to full hard version), it's also one of the better small screen films of the era with excellent work by the leads, a strong supporting cast, and the Mississippi locations help bring a bigger looking scale to it. It pushed the content to the limit of what was allowed for TV at the time and maybe because of that it's never got the critical accolades of something like a DUEL.

    ABC created an alternate version for theatrical showings with "R" rated content which inserted a prolonged whipping along with some full-frontal nudity and fairly extreme sexual content. This version was offered for distribution by Inter-Ocean Films which may have been a corporation set up by ABC to handle it. This "hard" version even gives the New World Filipino films such as THE BIG BIRD CAGE a run for the money and you almost expect Pam Grier & Vic Diaz to show up here. I'm not sure if the theatrical version had any play dates in the U.S. but there is overseas promo material floating around for it and the harder cut did surface on video and has recently been released on Blu from Kino on a disc that includes both cuts. Moxey's original TV version works best as it has a much tighter and leaner story without the obvious inserts.
     A very bleak viewing experience with a downer of an ending, the film shows literally the entire system corrupt (which maybe is a bit of a stretch plot-wise) as all the people we think would be on the side of "right" are in on the corruption with most of them being downright sadistic. The judge uses his powers to cover up for his nephew the sheriff who in turn passes the women on to the prison system run by Reed who's in turn protected by the government.

    The two leads are excellent as both Raffin & Moody bring a real sense of desperation to their roles and have great chemistry together as they actually seem like caring friends. Raffin also appeared in Larry Cohen's classic GOD TOLD ME TO as Tony Lo Bianco's girlfriend (and she would pop up in DEATH WISH 3) and after NIGHTMARE IN BADHAM COUNTY became a surprise hit in China, she became an unofficial Hollywood/ China ambassador helping arrange meetings to secure distribution deals. Moody would later appear in ROOTS (which would premiere just two months after this) along with her NIGHTMARE co-stars Chuck Connors & Robert Reed (both of whom would once again portray despicably evil characters). Reed who at the time was in the midst of yet another Brady Bunch reunion special (which I'm sure he despised doing) probably jumped at the chance to portray a dark character.
    The film was written by Jo Harris who did some writing duties on the Clint Eastwood vehicles PLAY MISTY FOR ME, BREEZY, and DIRTY HARRY and in addition cinematographer Frank Stanley also shot BREEZY, MAGNUM FORCE, THUNDERBOLT AND LIGHTFOOT, and THE EIGER SANCTION.
    Kino Lorber recently released this on Blu-ray which along with the previously mentioned choice of both cuts also has an excellent commentary on the TV cut from Amanda Reyes and Justin Kreswell. BTW, anyone interested in world of made-for-TV movies should check out Amanda's really cool & amazing Made For TV Mayhem blog and the companion podcast.

  

All above screen grabs are from the Kino Blu-ray 

SAVAGE SISTERS 1974

"Beware ! They are still at large..."

     From the late 50's up till the late 70's Eddie Romero cranked out dozens and dozens of low budget  exploitation movies encompassing war, horror, action and WIP. Most famous for the Blood Island series of movies he was for all intensive purposes THE Filipino exploitation movie industry before passing the baton over to Ciro Santiago. SAVAGE SISTERS was one of Eddie's last forays into the American drive-in market (with 1977's SUDDEN DEATH being his finale) and was his last movie for A.I.P.  Being an A.I.P. production (as Corman's New World had been the kings of Filipino exploitation) and coming rather late in the game, along with the lack of such recognizable Filipino exploitation genre actresses as Pam Grier, Margaret Markov or Roberta Collins SAVAGE SISTERS always seem to have been the odd movie out in regards to the other WIP/jungle action stuff of that era.

  

    Written under the pseudonyms "Harry Corner" & "H. Warren Moon" (most likely Romero and co-producer/co-star John Ashley) SAVAGE SISTERS is A.I.P's take on the standard Filipino formula of an initially fractured group of women who are thrown together in a sweaty setting (usually a prison of some sort) and who then end up banning together to take on the local military dictatorship (with the irony being these movies WERE shot the setting of an actual military dictatorship). Although Romero mixes in some of the usual 1970's "women in prison" staples including the classic shower scene and a bit of torture the movie mostly focuses on the action side of things.
    Hard core revolutionary Mei Ling (Rosanna Ortiz) teams up with Jo (70's bad ass chick GINGER Cheri Caffaro) to help Caffaro's rebel leader boyfriend hijack $1,000,000.00 that a corrupt general is attempting to sneak out of an unnamed banana republic. Unfortunately the rebels have decided to enlist the help of local bandit Malavasi (a wild-eyed and demented Sid Haig) who along with second in command (an eye patch wearing Vic Diaz) grab the cash for themselves while enlisting the help of hustler/con-man W.P. Billingsley (a leisure suit wearing John Ashley) to help get them out of the country. At the same time Mei & Jo have been captured by the military led by Capt. Morales (Eddie Gracia - Dr. Lorca from Blood Island).
   Once in prison the girls fall under the rule of the prison matron (who engages in some S&M playtime with Morales) and most importantly the chief prison torturer Lynn (played by the very beautiful Gloria Hendry from LIVE AND LET DIE). Lynn's boyfriend happens to be Billingsley who convinces her to help the ladies to escape with them all joining forces to get their hands on the money.

   The film is a bit of an oddity among the Filipino exploitation stuff as that it rather bizzarly has a complete lack of nudity among its leading ladies and although there's some pretty rough stuff implied such as Hendry's infamous "door slamming" torture along with Caffaro being threatened by an electric drill mounted phallic device (and a bit of blood here & there) SAVAGE SISTERS is pretty tame stuff. Although compared to what is considered the epitome of this genre (being Jack Hill's THE BIG DOLL HOUSE 1971 & THE BIG BIRD CAGE 1972) its a bit lacking, it's still a great little piece of low budget fun. The three leading ladies all jump into their roles with gusto and Romero, while as mentioned plays down the blood and nudity but has enough action (lots of machine guns & grenades) to keeps things from getting boring. There's even a bar fight mixed in with Hendry doing a sritp tease as a distraction.
    Many of these movies have quite a bit of humor in them (which is surprising to first time viewers) and SAVAGE SISTERS in no exception. Sid Haig as the hilariously (and seemingly) whacked out his mind on reefer & booze Malavasi and John Ashley as the slimy con-man both add to the fun. There's great scene where all three woman take turns seducing Ashley to find out his true motives (complete with Ashley wearing a series of outrageous bikini briefs).
   After a divorce from his beach party co-star Debra Walley, Ashely went to the Philippines to make the BLOOD ISLAND movies. He enjoyed it so much he stayed and eventually moved to the production end of things along with acting. He would later produce T.V's THE A-TEAM (that's his voice doing the opening narration).  Along with the above mentioned Diaz (who seems to have an affinity here for wearing shirts about two sizes too small and pants that show his ass crack) and Garcia the film if filled with the usual cast of Filipino character faces including Bruno Punzalan (Goro from BRIDES OF BLOOD).

    Although rather unknown today Cheri Caffaro was a huge drive-in star in the 70's. A tall statuesque blond (although she was always a bit hard and pissed off looking) the three "Ginger" movies she made with her husband Don Schain were huge money makers, with the first GINGER from 1971 playing for years on double and triple bills. She later appeared in another Filipino auctioneer 1977's TOO HOT TO HANDLE before walking away from movies (although she and her husband produced H.O.T.S. in 1979).
    I always thought it was strange that Gloria Hendry never had a bigger career. She was a Bond girl in LIVE AND LET DIE, had a great presence, was drop dead gorgeous and seemed to have everything to be as big as Pam Grier. Along with SAVAGE SISTERS, she had some great roles in BLACK CAESAR (1973). SLAUGHTER'S BIG RIP-OFF (1973) and BLACK BELT JONES (1974), but sadly never made it to the next step. In urban markets SAVAGE SISTERS was marketed as a blacksploitation, with the poster featured Hendry front and center.