Favorite Catalog Releases From 2021

This has been an unbelievable year for catalog releases and this list could very easily go into the dozens so here's a list of a just few of my favorites.

I remember paying $20.00 for multi-gen bootleg VHS with burned in Greek subs or such for some of this back in the dark ages of cult film collecting. 

 SATAN'S BLOOD 1978 Vinegar Syndrome Blu

Director & writer Carlos Puerto's sex & gore-filled Satanic romp has had a couple of DVD releases in the past but with a new 4K scan of the 35mm negative Vinegar Syndrome's Blu-ray brings all the skin & Satanic goings-on out in gorgeous clarity. One of the first post-Franco regime Spanish horror films that took advantage of the relaxing censorship standards, there's also was some help here production-wise from Juan Piquer Simón (PIECES) and Vinegar adds a great bunch of extras including a 45-minute Spanish documentary on the film, still gallery and best of all a commentary track by Samm Deighan and Kat Ellinger.

Along with the exploitive elements on full display, it's also a beautiful looking film filled with a moody gothic atmosphere some very creepy set design (including an unsettlingly macabre doll), and a climax that'll stick in your brain for quite a while afterward. 

AN ANGEL FOR SATAN 1966 Severin Films Blu

One of last of Barbara's B&W Italian Gothics to receive a quality release, Severin's Blu-ray of this perverse (and sometimes still shocking) gem will have you thankfully tossing all those ropey bootlegs and quasi-legit DVDs in the waste bin.  

Directed by Camillo Mastrocinque this one hits all the marks - beautiful B&W cinematography by Giuseppe Aquaris, a haunting soundtrack by Francesco De Masi and the breathtaking presence of Barbara Steele. Although there is the expected witches curse, this is not exactly a horror film as its more of an unsettlingly Gothic melodrama with some obvious underpinnings of S&M and sexual perversion. 

Severin's release contains a very nice commentary from Barbara and David Del Valle in which she touches on her entire career in Italy and in addition there is a second more scholarly one from Kat Ellinger. A nice extra is the 1967 short BARBARA AND HER FURS (which is a must-see experience) 

THE HUNTER WILL GET YOU (L'ALPAGUEUR) 1976 Kino Lorber Blu

Although he started out his career as one of the faces of French New Wave cinema Jean-Paul Belmondo in the 70's and 80's was the star of a great string of police/thriller action films among them this 1976 release directed by Philippe Labro.

A twisting turning tale has Belmondo playing a mercenary hiring out as a type of rogue policeman who works for various agencies as he has carte blanche to do what he needs to do to get his man. After busting a drug smuggling ring, he goes after “L’Épervier” (“The Hawk" played by Bruno Cremer from SORCERER), a ruthless thief who employs petty criminals to help him rob banks and then murders them.

 Featuring of course the usual jaw dropping stunts (performed by Belmondo himself) this is one of a group of great Belmondo action films that Kino has brought out. Now please can we get PEUR SUR LA VILLE (THE NIGHT CALLER) with Belmondo chasing a serial killer in Paris. 

Kino's Blu features an audio Commentary by Howard S. Berger, Steve Mitchell and Nathaniel Thompson and an interview with director/writer Philippe Labro.

DOCTOR X 1932 Warner Archive Blu 

Featuring a stunning restoration from a recent 4K scan of the last surviving Technicolor nitrate print this Michael Curtiz directed & wonderfully lurid pre-code shocker joins last year's release of its companion film MYSTERY OF THE WAX MUSEUM.

Fast-talking newspaperman (Lee Tracy - who specialized in playing fast-talking guys) is on the trail of "The Moon Killer" which leads him to the clinic run by Dr. Xavier (Lionel Atwill) along with Atwill's daughter (Fay Wray) and a whole host of potential red herrings with the clinic's staff of doctors (all of whom have some unique habit or psychoses).

A great pre-code horror with thinly veiled allusions to prostitution, double entendre wisecracks, along open talk of cannibalism. The "synthetic flesh" sequence still packs a jolt, and nobody can chew up scenery like Atwill.  

Warner Archive has included a nice batch of extras including two commentaries, a documentary on Curtiz and the alternate B&W version of the film. 

THE DESIGNATED VICTIM 1971 Mondo Macabro Blu

Mondo Macabro continues to surprise us with great underseen gems including this Italian riff on Patricia Highsmith's STRANGERS ON A TRAIN. Directed by Maurizio Lucidi and a script co-written by Aldo Lado (WHO SAW HER DIE?) it features the wonderful Tomas Milian along with Pierre Clémenti, Katia Christine, and Marisa Bartoli. Clementi and Milian are wonderful playing off each other and there's some great use of Venice locations (which I'm always a sucker for).

Plus, Mondo Macabro brought out a much-needed beautiful upgrade release of Piero Schivazappa's FEMINA RIDENS (THE LAUGHING WOMAN) on Blu along with a passel of other great releases including ITS NOTHING MAMA, JUST A GAME, and the very bizarre & interesting HUMAN ANIMALS.

BURY ME AN ANGEL 1972 Shout Factory Blu 

Blessed with one of the greatest taglines in the history of film "A howling hellcat humping a hot steel hog on a roaring rampage of revenge" this has been long missing on home video and is now out as part of the Shout Select line. Originally announced by Shout as part of The Angel Collection DVD set that was to also include ANGELS HARD AS THEY COME (which was also released by Shout on Blu in 2021) and ANGELS DIE HARD this package along with a Nurses/Students and a Filipino action set fell off the radar as Shout began winding down their New World releases about a decade ago. 

Directed by Barbara Peeters (SUMMER SCHOOL TEACHERS & most of HUMUNOIDS FROM THE DEEP) it's the rare biker film that is told from a female point of view - both as far as the film's director and its lead character.

The film mixes a road movie with the biker genre as 6 Ft. Dixie Peabody (playing "Dag") sets out on a journey to avenge her brother's death. Like a lot of biker films, it consists of long takes of bikes cruising along desert highways with the appropriate fuzz guitar soundtrack and along the way there's some bloody violence, a bit of nudity and a jarring twist in the ending. Dan Haggerty (GRIZZLY ADAMS) who pops up in a few biker films shows up here as a hippie artist.    

Nothing earth-shattering plot-wise but it's always great to get another classic biker film in HD and its companion release ANGELS HARD AS THEY COME (written by Jonathan Demme) is an interesting biker version of RASHOMON. 

Here's hoping we can get some more New World titles and these Shout Select releases are limited, so once they're gone they're gone. 

WEIRD WISCONSIN: THE BILL REBANE COLLECTION Arrow Blu

Along with last year's William Grefe collection, this is another fascinating journey into the world of low-budget regional filmmaking. Featuring haunted pianos, alien invaders and a talking monster truck among other wonders, Rebane's films while never to be considered great are fascinating pieces of movie history and exude a certain grungy low-budget charm.

Missing from the box is his magnum opus THE GIANT SPIDER INVASION (released on Blu by Code Red), BLOOD HARVEST (available from Vinegar Syndrome), and two of his later efforts THE CAPTURE OF BIGFOOT and RANA: THE LEGEND OF SHADOW LAKE (both held by Troma) but there's still much to love here including my personal favorite THE DEMONS OF LUDLOW and a highly informative documentary on Bill and his career.

ALL THE HAUNTS BE OURS: A COMPENDIUM OF FOLK HORROR Severin Blu

Consisting of 12 Blu-rays, 3 CDs and featuring 20 films along with hours of special features, short subjects, interviews, commentaries etc. this is one of the top releases of the year for me.

Kicking off with Kier-La Janisse's epic 194 min. documentary WOODLANDS DARK AND DAYS BEWITCHED it then takes a world-wide tour of the genre including (with many making their HD debut) EYES OF FIRE (USA 1983), WITCHHAMMER (Czechoslovakia 1970), VIY (Soviet Union 1967), LAKE OF THE DEAD (Norway 1958, ROBIN REDBREAST (UK 1970) and IL DEMONIO (Italy 1963) among others.

There's also a hefty book, a CD soundtrack with music from the documentary and actress Linda Hayden (THE BLOOD ON SATAN'S CLAW) reading Arthur Machen's The White People. 

All in all, a beautiful (and thankfully compact) package that is perfect for a winter,s night viewing (or listening).

MILL OF THE STONE WOMEN 1960 Arrow Blu

Directed by Giorgio Ferroni and one of the first Euro-horror films to be produced in color this has had several notable home video releases before, however this new release from Arrow is the definitive one by far.

Containing four(!!) unique cuts of the film we also get a packed set of extras including a commentary from Tim Lucas, visual essay by Kat Ellinger, archival interviews, alternate opening credits, poster gallery and more.

One of the most ravishing looking horror films (with all apologies to Mario Bava) from the golden age of Euro Gothic horror this is eye candy of the highest degree and has never looked better. 

BEYOND TERROR 1980 Cauldron Films Blu

 A long-lost Spanish oddity that throws together juvenile delinquency mayhem, gothic horror and some Blind Dead inspired attacks this sleazy and gore/nudity packed shocker one on the more surprising releases of the year (especially considering its long unavailable status on home video). 

Directed by Tomás Aznar, this may initially seem to be a weird viewing experience with seemingly three separate stories grafted together (with the horror element not kicking in until the climax) but there's a  nightmarish flow to the film that draws you in. Probably not the best film for Euro-horror newbies to dip their toe into, it's definitely worth a look for those into the more "out-there" examples of the genre.

Another one of those that I initially owned via a bootleg from a murky European PAL video tape release this has been given a 4K scan from the original negative that brings out the earthy and hazy intended color palette of the film (and now you can actually see what's going on).

Some other favorites from 2021:

Vinegar Syndrome's Camille Keaton in Italy collection

Synapse beautiful work on THE LIVING DEAD AT THE MANCHESTER MORGUE

88 Films EROTIC GHOST STORY

Arrow Films massive Shaw Brothers box

Vinegar Syndrome's rescue of the lost NEW YORK NINJA

Kino Lorber's NIGHT GALLERY Season 1 box

Impluse STAR OF DAVID: BEAUTIFUL GIRL HUNTER

Criterion's Melvin Van Peebles box

Imprint LET'S SCARE JESSICA TO DEATH

and many more....

Things I'm looking forward to in 2022...

AGFA has teased the release of a HUGE Doris Wishman Blu-ray collection (maybe two separate boxes) which will include the recent 4K restorations, which going by the recent sample of films put up on the Criterion Channel, is going to look gorgeous. 

Severin has dropped some hints concerning a Black Emanuelle/Laura Gemser box. Laura in HD! Sign me up!

Synapse films in their usual methodical way (with the results sure to be worth the wait) have been working on a new restoration of TOMBS OF THE BLIND DEAD which has been shown at some recent festivals. Along with three(!!) different cuts of the film I'm sure Synapse will have a great batch of extras. 

Shout Factory has announced a couple of long-missing video titles from the Group One catalog with ALLIGATOR and THE SWORD AND THE SORCERER.

Vinegar Syndrome is going to release a new 4K(!!) restoration of the Swedish exploitation classic THRILLER (aka THEY CALL HER ONE EYE) starring the great Christina Lindberg along with Forgotten Gialli: Volume Four (containing  Stelvio Massi's ARABELLA BLACK ANGEL)

Cauldron is releasing Lucio Fulci's great poliziotteschi COUNTERBAND with Fabio Testi.

88 Films release of THE BLACK CAT 

Favorite Stuff From 2015

     I've had a lot of fun with this the past several years and although this 2015 list got a lot bigger than intended, I just couldn't stand to edit it down (believe it or not - there's, even more, I thought warranted inclusion). It simply unbelievable the stuff we are lucky enough to have coming out and pretty amazing to think that we live in a world where you can buy DEMONOID MESSENGER OF DEATH and THE BRAIN THAT WOULDN'T DIE on Blu-Ray..... !??!
   

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HAMMER HORROR COLLECTION  Warner Blu

     Just in time for Halloween Warner cut loose in 2015 with a major portion of their Hammer catalog on blu-ray. Although this release came under some online criticism for not including CURSE OF FRANKENSTEIN and HORROR OF DRACULA (Warner said these two titles needed some work), what we have here is an excellent collection that showcases some superb examples of Hammer Gothic at it's finest.

  For starters you have Christopher Lee's finest performance (and a contender for Hammer's best effort) in THE MUMMY, the best Frankenstein sequel with the grim FRANKENSTEIN MUST BE DESTROYED and a couple of first-rate Dracula's with DRACULA HAS RISEN FROM THE GRAVE and best of all the masterful TASTE THE BLOOD OF DRACULA (and you get Linda Hayden in HD !).

LIVE LIKE A COP, DIE LIKE A MAN 1976 88 Films Region 2 Blu

    The 1970's Italian crime genre (or poliziottesco) had been a bit under-represented on a digital medium, but with the past release of Raro's two Fernando Di Leo box sets, Arrow's superb stand-alone release this year of MILANO CALIBRO 9 along with this entry which was directed by Ruggero Deodato (CANNIBAL HOLOCAUST) things are looking up.
   One of the best entries of the genre, LIVE LIKE A COP opens with a jaw-droppingly insane motorcycle chase through rush hour Rome and never lets up for the next 100 minutes. Starring Euro stalwarts Marc Porel and Ray Lovelock along with Adolfo Celi and the gorgeous Silvia Dionisio, it plays out like a combination of DIRTY HARRY amped up to about 11 along with some STARSKY AND HUTCH buddy cop humor mixed in. Now we need Grindhouse Releasing's long hinted at the release of Umberto Lenzi's ROME ARMED TO THE TEETH.

THE OBLONG BOX 1969 Kino Blu

    Director Gordon Hessler's group of late the 60s/early 70's horror films for AIP have often been given the short shift by fans & critics coming as they did after Roger Corman's magnificent run of "Poe" films. Part of the problem was that all four of Hessler's films were tampered with in various ways in regard to content, music, and editing. Back in the days of their Midnight Movie line MGM did restorations on all of them and now with the ongoing releases of the AIP catalog on blu Kino has brought the first (and the best in IMO) of his films in HD.
    Dealing with family curses and the sins of British colonialism coming home to roost, Hessler came to THE OBLONG BOX after the tragic death of original director Michael Reeves. Featuring a superb leading performance by Vincent Price, nice supporting roles by Christopher Lee (who sadly only shares one short scene with Price) and Hilary Dwyer, along with some beautiful cinematography by John Coquillon (who went on to shoot many of Sam Peckinpah's later films).
   To complete the release of Hessler's A.I.P. catalog, Twilight Time has released the bizarre SCREAM AND SCREAM AGAIN and Scream has announced releases of CRY OF THE BANSHEE and MURDERS IN THE RUE MORGUE for 2016.

NASHVILLE GIRL 1976 Scorpion Blu DVD

     Directed by Gus Trikonis (MOONSHINE COUNTY EXPRESS and THE SWINGING BARMAIDS) this exploitation take on COAL MINER'S DAUGHTER is a cautionary tale concerning the pitfalls of country music stardom. Anchored by an earnest & heartfelt performance by Monica Gayle (SWITCHBLADE SISTERS) this A.I.P. release contains some excellent original country music on the soundtrack, a wonderful cast (including Leo Gordon, Jesse White, and a scene-stealing Marcie Barkin) along with an engaging storyline balanced out with just the right amount of drive-in elements. One of my top favorites from 2015.

THE DEVIL'S WEDDING NIGHT  1973 Code Red Blu

    Regular readers of this blog know of my fascination for all things Rosalba Neri (in particular this film), so this release was very exciting news around here. One of the last "Gothics" from the golden age of Italian horror (and along with LADY FRANKENSTEIN one of Rosalba's only true horror roles) it features an insanely entertaining hodgepodge of non-sensical myths, vampire lore, and historical personages all mixed into a delirious plot with much blood and bare female skin splashed about.
    Directed by Lugi Batzella (NUDE FOR SATAN) and photographed by Joe (EMMANUELLE) D'Amato Code Red's blu-ray features a nice transfer from a 35mm CRI (which is a revelation compared to those shoddy PD DVD's) - and Rosalba's blood-soaked resurrection sequence (now in all it's HD splendor) is still one of the true highlights of 70's Euro-horror.

LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY'S ISLAND OF DR. MOREAU 2014 Serverin Blu

     Director David Gregory's alternately heartbreakingly sad and darkly amusing documentary concerns director Richard Stanley's (HARDWARE and DUST DEVIL) failed attempt to bring his dream project of H.G. Wells ISLAND OF DR. MOREAU to fruition on film in 1996. Along with another recent film in JODOROWSKY'S DUNE from 2014, it's a fascinating example of the "lost film" documentary genre (although I guess technically MOREAU really isn't "lost"). Starting out as a modestly budgeted film, the inclusion of Marlon Brando and Val Kilmer into the cast along with a remote location, a hurricane, and various other factions all worked to doom Stanley's project.
    Although obviously lacking the participation of the leading principles in the form of Brando and replacement director John Frankenheimer with Kilmer a no-show, the narrative is left to Stanley along with a host of New Line executives, crew and supporting actors who all tell a fascinating story of actor egos run amok and crushed dreams.

THE SENTINEL 1977 Scream Factory Blu

     Over the years I've owned this movie in various incarnation through a theatrical showing (on a double feature with AUDREY ROSE), Beta, VHS, Japanese laserdisc, DVD, German blu-ray with finally this newly released Scream Factory blu-ray and with each new viewing my fondness for this sometimes maligned film has grown. Although admittedly not a great film it does have an alternately bizarre and creepily uncomfortable atmosphere running through it along with a cast of up and comers including Jeff Goldblum, Tom Berenger and a quick view of a young Richard Dreyfuss along with a gaggle of older Hollywood faces including Arthur Kennedy, Mel Ferrer, Ava Gardner and to just to cement its horror cred - an appearance by John Carradine (in one of ten roles for him in 1977!)
      A young model played by Cristina Raines (whose performance has also grown on me over the years) moves into a Brooklyn brownstone that houses something evil lurking about and whose tenants include Burgess Meredith channeling Ruth Gordon from ROSEMARY'S BABY, along with Sylvia Miles and Beverly D'Angelo as cannibalistic lesbians. Scream Factory's blu includes a spanking new transfer and some new extras - including a fascinating commentary with Raines where she addresses her issues with the film (and director Micheal Winner).

FINAL SCORE 1988 OMG Entertainment DVD

    If there's one name that will cause hardcore fans of 1980's action world cinema to become misty-eyed its Indonesian director Arizal. His movies, which also included THE STABILIZER and AMERICAN HUNTER, sometimes showed up on late-night cable or grey market video releases that populated the shelves of mom and pop video stores under various titles and gaudy boxes. Damnably hard to find expect for murky VHS derived bootlegs his catalog received a boost among collectors thanks to this kick-starter funded release from OMG Entertainment.
    In a basic and oft-repeated plot stoic Christopher Mitchum stars as a decorated Vietnam veteran living a peaceful life in Indonesia, whose wife and son are brutally murdered by members of a crime cartel led by fellow American Mike Abbott. This naturally sets Mitchum off on a bloody vendetta as he works his way up the corporate ladder (checking names off a handy list) and leaving a vast trail of bodies behind him. Filled with some of the most insane stunts ever filmed (the climactic motorcycle/helicopter thing has to be seen to be believed) and a plot that bounces from one madly goofy action sequence to another this is a truly mind-bending viewing experience.
    OMG's release although taken from a full-frame analog video master (god knows where the original film elements are) is still very colorful with a nice image.

NIGHTMARE CASTLE 1965 Severin Blu

     More Barbara Steele Italian Gothic horror is always welcome and this release from Severin provides a nifty triple feature as it not only gives us Barbara in all her B&W HD eternal beauty for the main feature but as a bonus we get U.S. theatrical versions of CASTLE OF BLOOD (1964) and TERROR CREATURES FROM THE GRAVE (1965).
    Mario Caiano's NIGHTMARE CASTLE has all the hallmarks in the form of creaky doors, candelabras, shadowy hallways along with revenge from the grave and (most importantly) the presence of the goddess of Italian horror (here in a dual role). You also get an early appearance of Spanish horror beauty Helga Liné, a co-starring Paul Muller (LADY FRANKENSTEIN) and a score by Ennio Morricone.
    Severin presents the longer 105 min. cut under the title THE NIGHT OF THE DOOMED (which plays much better than the shorter U.S. print) with the torture chambers, acid disfigurements and Gothic trappings all looking beautiful. The disc also contains a commentary by Barbara and David Del Valle on the main feature and along with the two bonus films (both taken from 35mm) all of which make for a great triple feature. Hopefully someday soon we'll get Barbara and director Riccardo Freda's creepy ode to necrophilia THE HORRIBLE DR. HICHCOCK and it's followup THE GHOST.

A CANDLE FOR THE DEVIL 1973 Scorpion Blu DVD

     A wonderful example from the golden age of Spanish horror (although to be honest this is more of a thriller) this unsettling little gem has long been a staple of those bargain multi-pack DVD horror collections and luckily now has been given a beautiful upgrade from Scorpion. Directed by Eugenio Martin (HORROR EXPRESS) it features excellent work by its two leads in Aurora Bautista and Esperanza Roy. Playing a pair of sisters who run a boarding house in a small village, with one sister having a rather bent view of religion as she begins disposing of female guests who she feels are morally corrupt. Featuring a stifling atmosphere of sexual repression and religious hypocrisy it also has an appearance by the always welcome Judy Geeson along with Blind Dead alumnus Lone Fleming.

MUSCLE BEACH PARTY 1964 BEACH BLANKET BINGO 1965 Olive Blu

     Make fun of me if you want, but I love these movies. Once every year during the winter I watch the entire run of the A.I.P "beach movies" over the course of a weekend and now thanks to Olive, I can watch two of them (with the rest hopefully to follow) in all their bikini-wearing HD eye-popping color glory. Representing #'s 2 & 3 in the series (and can also be looked at as a Don Rickles double feature - which is always a good thing) MUSCLE BEACH PARTY and BEACH BLANKET BINGO are both full of the things that make this series enjoyable with goofy humor, "G" rated emphasis on sex with close-ups of gyrating bikini-clad beach party-goers and great musical guests including Stevie Wonder, the god-like Dick Dale and The Hondells (and of course Frankie and Annette).
      MUSCLE sadly loses the great Harvey Lembeck's Eric Von Zipper but gains Bond girl extraordinaire Luciana Paluzzi while BINGO (my favorite) has the unbelievable Bobbi Shaw, the unhinged Timothy Carey as South Dakota Slim ("I've got lots of ideas..., all on them vile, booby..") plus Playboy Playmates Donna Michelle and Patti Chandler.

1990: THE BRONX WARRIORS 1982 ESCAPE FROM THE BRONX 1983 THE NEW BARBARIANS 1983 Blue Underground Blu DVD

    This trio of Enzo G. Castellari urban decay/post-apocalyptic action features were a few of the onslaught of films that were produced in the wake of ROAD WARRIOR, ESCAPE FROM NEW YORK and THE WARRIORS box office returns. 1990: THE BRONX WARRIORS and its quasi-sequel ESCAPE FROM THE BRONX feature a dystopian view of a then future NYC with THE NEW BARBARIANS channeling some ROAD WARRIOR action combined with a spaghetti western. All three are immense fun containing such elements as Fred Williamson in full bad-ass mode, a pissed off Vic Morrow, an evil Henry Silva, outlandish costuming, body counts that must number well into the hundreds and crazy-ass stunt work. For even more fun (and the makings of a truly monumental movie marathon night) Code Red brought out a trio of 80's apocalypse fun via the Philippines with Cirio H. Santiago's WHEELS OF FIRE, THE SISTERHOOD and EQUALIZER 2000.

THEM! 1954 Warner Blu

    One of the first (and THE best) of the 1950's "big bug" movie craze THEM! benefits from director Gordon Douglas's no-nonsense documentary-style shooting, the presence of James Arness and James Whitmore in roles of co-heroes and a police procedural beginning that leaves the identity of the "monsters" until a good bit of suspense has built up.
    From the opening sequence of a small girl found wandering in the desert (later only able to scream "Them ! Them !") to the finale in the Los Angeles sewer system this a wonderful example of 1950's sci-fi firing on all cylinders and is filled with scenes and quotes (who as a child will ever forgot the ship sequence) that were forever ingrained in little monster kids brains.
    Warner also released SON OF KONG, MIGHTY JOE YOUNG and Ray Harryhausen's THE BEAST FROM 20,000 FATHOMS on blu and from their Archives division we got Willis O'Brien's THE BLACK SCORPION with Richard Denning and Mara Corday.

MASSACRE MAFIA STYLE 1974 GONE WITH THE POPE 1976/2010 Grindhouse Releasing Blu DVD

     Two of my favorite releases from this past year where this pair of GODFATHER/MEAN STREETS homages that were directed, produced and written by nightclub crooner Duke Mitchell (who by the way also starred in both). A self-taught filmmaker Mitchell used the money he made singing in nightclubs to fund these dream projects. In MASSACRE MAFIA STYLE he sought to right the self-perceived wrongs he saw in THE GODFATHER and it's portrayal of Italian families and honor. Mitchell attempted to show the Italian American Mafioso and family experience filtered through his own family stories and experiences working the supper club circuit.
    Awash in bloody violence (the opening sequence where Duke and a buddy kill the entire staff of an office building while one of his songs plays on the soundtrack is worth the price of admission alone), 70's fashions/decor run amok and some of the most entertaining stream of conscious dialogue ever committed to celluloid its a fascinating example of self-taught film making.
   Filmed in 1976 and unfinished at the time of his death in 1981, GONE WITH THE POPE has Duke and a couple of cohorts concocting a scheme to kidnap the Pope and demand one dollar from every catholic in the world in exchange for his release. Even more bizarrely entertaining than its predecessor, it was lovingly assembled by editor Bob Murawski from film elements kept by Mitchell's family (and remember - "You're in, or your in the way !!").

DEMONOID MESSENGER OF DEATH 1981 Vinegar Syndrome Blu/DVD

    Straddling the two decades that were the golden periods of low budget schlocky horror, DEMONOID while never going to be considered a great movie is a GREAT low budget schlocky horror film that pretty much hits all the marks - Hollywood ex- A-lister slumming for a paycheck (Stuart Whitman) and younger up and comer (Samantha Eggar) for a couple of names for the marquee, bat-shit crazy plot that defies logic, some familiar faces populating the background (among them a quick cameo by busty Russ Mejer starlet Haji). and endearingly cheesy special effects.
    A U.S./Mexican co-production directed by Alfredo Zacarías (who's equally insane THE BEES  is coming this year from Vinegar), it mixes a bit of 70's cinema fascination with all things satanic along with a disembodied hand. DEMONOID was released in two versions with the U.S. version spiced up with some pre-credit topless sacrifice footage. Vinegar's release contains both cuts of the film, an interview with Zacarias and trailers and artwork.

BLOOD AND BACK LACE 1964 Arrow Blu DVD

     Mario Bava's classic blueprint for the next couple of decades upcoming Giallo genre has been through numerous video incarnations over the years but has never looked better than on this release. Awash in his trademark pulsating colors and prowling camerawork,  a murderer stalks through a fashion house with all of Bava's trademarks pushed to almost a fever dream level with the bloody & violent murders still packing a jolt. Without getting into the 1.67 framing controversy, this has been a release I've been waiting a long time for and I was infinitely pleased with it.
    Containing a wealth of extras, it was unfortunately held up for U.S. release for rights issues, but Arrow's UK version is region free. One of the true cornerstones of Italian cinema (and horror/thriller cinema in general) this a perfect example of why Bava's influence continues to felt to this day. Now somebody please bring on KILL BABY KILL.

THE BRAIN THAT WOULDN'T DIE 1962 Scream Factory Blu

    This lurid & unintentionally hilarious little B&W shocker is one of the true classics in the realm of "so bad their great" horror films. Combining the favorite "living disembodied head in a tray" motif along with strippers, a mutant monster in a closet and some early gore effects it never fails to entertain. Scream Factory's gorgeous transfer brings all of its low budget glory out in startling clarity (there are quite a few major studio releases from this same time frame that should look this nice) and to top it off there's even a bit of topless footage included as an extra that was filmed for the international markets.

AXE 1974 Severin Blu

     Filmed in North Carolina and originally titled LISA, LISA (distributor Harry Novak changed the title to the more publicity friendly AXE), this perversely weird little mixture of an art-house film and Southern Gothic horror is a fascinating example of low budget 1970's regional horror. Featuring a hauntingly unforgettable performance by one and done actress Leslie Lee as a strange young woman who along with her invalid grandfather finds their rural house invaded by a trio of on the run hitmen.
     Like many independent horror films of the 70's there's a sad back story to this as director Frederick R. Fiedel watched this film (along with his other production KIDNAPPED COED) disappear into the murky mazes of low budget distribution and shady dealings.
    Originally released by Something Weird on DVD, both AXE and KIDNAPPED COED has been given a new lease on life courtesy of Severin with the full participation of director and writer Fiedel. Severin's package includes both features along with the hybrid BLOODY BROTHERS that Fiedel assembled from the two features along with a boatload of extras.

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A few things I'm looking forward to in 2016...

    Russ Meyer's Hollywood excess morality fable and rock musical BEYOND THE VALLEY OF THE DOLLS has been scheduled for release early this year from Arrow on Blu-ray (Region B only). A bit later is BLACK MAMA WHITE MAMA (Margaret Markov and Pam Grier in HD !!) and John Milius's violent DILLINGER starring the incomparable Warren Oates.
   Also from Arrow is their American Horror Project Vol. 1. Arrow's (hopefully) ongoing series of low budget horror films that snaked through way through the '70s and '80s on drive-in & grindhouse circuits on Dbl. and triple features. It will kick off with this pretty amazing collection that contains THE WITCH WHO CAME FROM THE SEA, MALATESTA'S CARNIVAL OF BLOOD and THE PREMONITION.

    Don May Jr. over at Synapse has been painstakingly working (and well worth the wait I'm sure) on his trio of Argento blu-ray titles and hopefully we'll see TENEBRAE, PHENOMENA and (best of all) SUSPIRIA at some point this year - and hopefully CREATURE FROM BLACK LAKE at some point.

   Kino/Scorpion's TRUCK STOP WOMEN (Claudia Jennings in HD !) and the classic HOLLYWOOD BLVD. (Candice Rialson in HD !)

  Treasures from the A.I.P. catalog will continue with among others Scream Factory releasing THE DUNWICH HORROR (paired on a Dbl. feature disc with MURDERS IN THE RUE MORGUE) and Olive on tap with THE TRIP and Kino will bring us PANIC IN YEAR ZERO.

   Grindhouse Releasing with the blu-ray of  S.F. Brownrigg's SCUM OF THE EARTH (aka POOR WHITE TRASH II).

   Vinegar Syndrome always has few surprises up their sleeve and along the above mentioned THE BEES they had a nice surprise recently as their release of  CORRUPTION had a hidden easter egg containing a print of Roger Watkins's nihilistic grindhouse classic THE LAST HOUSE ON A DEAD END STREET. Vinegar is currently on the hunt for better materials for a full-blown stand alone release.

TASTE THE BLOOD OF DRACULA 1970

     In 1968 Hammer released DRACULA HAS RISEN FROM THE GRAVE, its 3rd Dracula sequel (counting 1960's non- Dracula BRIDES OF DRACULA) and the film went on the be the company's highest grossing Gothic horror yet. Distributed by Warner Seven Arts in America its success made another sequel a top priority for both Hammer and their current American partner, but a monkey wrench in the form of Christopher Lee's growing resentment of the role (and increasing salary demands) was tossed in the works.
     Lee had long complained of Hammer's DRACULA output ever since his starring role in 1958's inaugural DRACULA. Long a critic of the scripts and the handling of Stoker's literary creation, this came to head in 1965's DRACULA PRINCE OF DARKNESS where depending on which source was to be believed Lee refused to speak any lines in the film or they were all removed by scriptwriter by Jimmy Sangster beforehand (whatever the case, we ended up with a silent Dracula). Lee was begrudgingly coxed back for DRACULA HAS RISEN FROM THE GRAVE and then flatly refused to don the cape again.
    Anthony Hinds fashioned a script that passed the form of Dracula onto a new character in order to continue the series, however Warner balked at the proposal and stated to the effect "No Lee - No Deal". Once again Hammer prevailed and Lee agreed to return with the script re-written to accommodate the now presence of the "real" Dracula.
    In spite of its rather protracted genesis 1970's TASTE THE BLOOD OF DRACULA stands as one of Hammer's better later period entries and it can be argued that it's the best of the DRACULA sequels. Placing the Count for the first time in his literary home of Victorian England, it's anchored by several strong performances by its leads, a wonderful cast of British character actors filling out the cast (including the incomparable Michael Ripper as a police inspector) along with Linda Hayden and Ilsa Blair supplying the requisite heaving bosoms.
    Watching the film, it's easy to see what Hammer's initial plot idea was in regard to the "new" character of Dracula which means that rather oddly (although not detrimentally) Lee's Dracula seems to be shoehorned into the plot of a Hammer Dracula movie. As was becoming the norm Lee's screen time is minimal here and all the period Lee sequels suffer somewhat from the absence of Cushing's Van Helsing and a strong forceful protagonist for Dracula (although Andrew Kier did an admirable job in DRACULA PRINCE OF DARKNESS) with his ongoing demises coming almost from his own clumsiness rather than a pounding stake.

    Directed by Peter Sasdy (COUNTESS DRACULA and HANDS OF THE RIPPER) it also features Hammer regulars James Bernard (score), Arthur Grant (cinematography)and Les Bowie (effects) and with this being the last Hammer movie all three of these men worked on together, TASTE along with the above mentioned Sasdy titles that would be released in 1971 can all be seen as the beginning of the end of Hammer's golden age.
    The Hungarian born Sasdy was one of Hammer's better late period directors and also directed the interesting bio-horror DOOMWATCH in in 1972 and the classic BBC ghost story THE STONE TAPE also from '72. Whether by design or not all of his Hammer movies have a central theme running through them, being that the sins of the parents shall be paid for by their offspring (or as in this case paid by) and TASTE takes this theme mixing it in with Victorian hypocrisy and parenticide.
     Three Victorian gentlemen and their respective offspring are introduced including William Hargood (Geoffrey Keen - who appeared in several Bond films as the Defense Minister) and his daughter Alice ( Linda Hayden from BLOOD ON SATAN'S CLAW and HOUSE ON STRAW HILL), Samuel Paxton (Peter Sallis) and his son Paul (Anthony Higgins RAIDERS OF THE LOST ARK) & daughter Lucy (Ilsa Blair) along with Jonathon Secker (John Carson PLAGUE OF THE ZOMBIES) and his son Jeremy (Martin Jarvis - whose appeared in literally hundreds of BBC productions).

     The three men though outwardly proper Victorian gentlemen all indulge in some extracurricular activities as they journey into London's East End obstinately to do charity work, but in reality spend time in a brothel which caters to clientele with "strange" requests. The seeming leader of the group Haywood rules his daughter Alice (Hayden) with an iron hand, banishing her to her room for talking to Paul Paxton (calling her a "harlot") and later threatening to beat her (there's also some uncomfortable undertones of incense) for her burgeoning love affair with Paul.

     Looking to up their excitement the group hooks up with the disgraced Lord Courtley (Ralph Bates DR. JEKYLL AND SISTER HYDE) who promises them untold pleasures and experiences by participating in satanic ceremony with him. To initiate this ritual, they purchase Dracula's ashes from traveling salesmen Roy Kinner (THE HILL) who had in a pre-credit sequence observed the demise of Lee from DRACULA HAS RISEN FROM THE GRAVE, afterwards gathering his ashes. During the ceremony Courtley mixes his blood with the ashes and instructs them all to drink it. The men refuse and Courtley drinking it alone begins spitting up blood and convulsing on the floor with Haywood and his two companions beating Courtley to death. Fleeing the church, they miss on Courtley's resurrection of Dracula. It's obvious this is the point where we were to be introduced to Bates as the new "Dracula" in the original script but (thankfully) Christopher Lee appears in all his Dracula glory.
    Courtley now in the personage of Dracula vows vengeance on the three gentlemen for killing "his servant" and begins tearing a bloody swath through each family using the sons and/or daughters as a means to his end. He gives special emphasis to Haywood's daughter Alice using her to lure the other victims and enact a bloody revenge on her father.

     Lee's Dracula (with once again limited dialogue) is a magnificent presence of evil here (next to the original, I think this is his best performance as the title character) as here he's embodied by revenge along with his usual blood lust. Seeming not wanting so much to ensnare & turn victims in vampires, but to simply destroy them as he throws aside his female victims after they have served their purpose which strikes me as a bit odd, since I can think of worst ways to spend eternity rather than having Ilsa Blair and Linda Hayden hanging around with you.
     TASTE also benefits with one of the stronger casts in the series with each one of the three male fathers having a unique personality that's helped by Hinds script. In particular John Carson (who was magnificent has the evil squire in Hammer's PLAGUE OF THE ZOMBIES from 1966) as the only member of the trio who shows some resolve and Geoffrey Keene as the sadistic head of the Hargood family (and as the defacto leader of the group and it's "immoral" compass) are both outstanding as is the hero of the film Anthony Higgins as the young Paul Paxton. Beautifully shot by Arthur Grant, TASTE as a gorgeous "autumnal" look to it and features Hammer's usual excellent set design with the ruined church looking particularly impressive.
     Linda Hayden, who was only 17 at the time of filming, had made a big splash with BABY LOVE in 1968. Featuring a sleazier exploitative Lolita style plot, Hayden generated scads of publicity in the British press for appearing nude in the film and was probably cast by Hammer on account of her notoriety at the time. However, with that being said, she's quite good here and was excellent in 1971's BLOOD ON SATAN'S CLAW as the leader of a group of satanically possessed children in a rural medieval English village. Her shyly seductive smile while laying atop Lee's crypt is one of the most erotically charged scenes in 1960's British horror.

     Ralph Bates was originally looked upon by Hammer to be a younger successor to Cushing and/or Lee (a plan that never really materialized) and with his dark, brooding looks always came across as a lesser version of Oliver Reed. His other Hammer projects include the abysmal HORROR OF FRANKENSTEIN (1970), the somewhat interesting DR. JEKYLL ND SISTER HYDE (1971) and lower rung of the the"Karnstein Trilogy" 1971's LUST FOR A VAMPIRE.
    Sadly Hammer followed up TASTE with the cheap and shoddy looking SCARS OF DRACULA later in 1970 and the series never quite rebounded with a couple of uneven attempts to update the series to the 1970's with DRACULA A.D.1972 and 1973's THE SATANIC RITES OF DRACULA  and concluded in 1974 with the kung-fu/Dracula team-up THE LEGEND OF THE 7 GOLDEN VAMPIRES (which I've always liked).
    TASTE THE BLOOD OF DRACULA is included with Warner's spiffy new Hammer blu-ray set and as with the earlier DVD release contains the restored harder R rated cut. In 1970 Warner initially trimmed some content including some lingering bloodshed and violence along with some fleeting nudity in the brothel scenes on order to secure a GP rating. Supposedly Vincent Price was originally going to be cast as one the gentlemen, but budget constraints negated it.

  

All the above screen grabs are from the Warner Region A blu-ray